“.” is used for lower octaves notes eg-(.F , .A )
“*” is used for Higher Octave notes eg. – ( F* G* )
“-” is used for Holding the notes according to the song.
Notes written “EF” in this manner means they are playing fast or two notes on one beat.
(A)G here “A” is kan note or sparsh note and “G” is main note .
[ D – A# ] here [ ] is used for sliding one note to another eg. – D To A in Guitar or Violin
{ A#A GA A# } here {} is used for playing notes in fast mode .

Music Details –

Original scale – A

Vikrit swar – A# , F , G

Shiv Tandav Stotram Piano Notes

Jatatavigalajjala / pravahapavitasthale

AAAAAAAA / AAAAA.G AA# –

Ga / leavalambya lambitam / bhujangatungamalikam |

A# / C#C# C#C# A# A# A# A# / A# A# A# A# A.G A# A-

Damad damad damaddama / ninadavadamarvayam,

AAAAAAAA / AAAAA.G AA# –

Chakara chandtandavam tanotu nah / shivah shivam ||1||

A# / C#C# C#C# A# A# A# A# / A# A# A# A# A.G – – / A# A– A# A – A# A- A# A-

Jata kata hasambhrama bhramanilimpanirjhari,

Vilolavichivalarai virajamanamurdhani |

Dhagadhagadhagajjva lalalata pattapavake,

Kishora chandrashekhare ratih pratikshanam mama ||2||…..same as above sloke

Dharadharendrana ndinivilasabandhubandhura,

AD DD C#EE EE / D F F F F EE EE

Sphuradigantasantati pramodamanamanase |

DD DD C#C#C#C#/ A# A# A# A# A.G A# A-

Krupakatakshadhorani nirudhadurdharapadi,

Kvachidigambare manovinodametuvastuni ||3||….same as above lines

Jata bhujan gapingala sphuratphanamaniprabha,

AAAAAA# A# A# A# / A# A# A# A# / A# A.G A# A

Kadambakunkuma dravapralipta digvadhumukhe |

A/ C#C#C#C#A# A# A# A# / A# A# A# A# / A# A.G A# A

Madandha sindhu rasphuratvagutariyamedure,

AC#C#C#C#EE EE / F F F F EE EE

Mano vinodamadbhutam bibhartu bhutabhartari ||4||

E C#C#C#C#A# A# A# A# / A# A# A# A# / A# A.G A# A–

Om / Namah shivay …

A- – – / .G .G A# A – – –

Sada shivam / bhajamiyhum / Sada shivam / bhajamiyhum

E E – E E – / E F – F E – / E C#– C#A# – / A.G A# A-

Sahasra lochana prabhritya sheshalekhashekhara,

AEE EE EE EE / E F F F F F EE EE

Prasuna dhulidhorani vidhusaranghripithabhuh |

E C#C#C#C#A# A# A# / A# A# A# A# A# A.G A# A–

Bhujangaraja malaya nibaddhajatajutaka,

Shriyai chiraya jayatam chakora bandhushekharah ||5||…..same as above lines

Lalata chatvarajvaladhanajnjayasphulingabha,

Nipitapajnchasayakam namannilimpanayakam |

Sudha mayukha lekhaya virajamanashekharam,

Maha kapali sampade shirojatalamastu nah ||6||……same as sloke II5II

Karala bhala pattikadhagaddhagaddhagajjvala,

AF F F F F F F / F EE EE EE E

Ddhanajnjaya hutikruta prachandapajnchasayake |

E DD DD DD D / D EE EE EE E

Dharadharendra nandini kuchagrachitrapatraka,

AF F F F F F F / F EE EE EE E

Prakalpanaikashilpini trilochane ratirmama ||7||

E DD DD / D C#C#C#C#/C# A# A# A# A# / A# AAAA

Navina megha mandali niruddhadurdharasphurat,

Kuhu nishithinitamah prabandhabaddhakandharah |

Nilimpanirjhari dharastanotu krutti sindhurah,

AEE EE EE EE / E F F F F F EE EE

Kalanidhanabandhurah shriyam jagaddhurandharah ||8||….same as sloke II4II

Om – –

E —————–

Praphulla nila pankaja / prapajnchakalim / chatha,

AA– AA– AA# – A# A# – / A# C#– C#C#/ C#A# AA-

Vdambi kantha / kandali / raruchi prabaddha / kandharam |

AD – D D – C#/ E – E E / D F – F F / G F E E

Smarachchidam / purachchhidam / bhavachchidam / makhachchidam,

E D – D D / C#E – E E / E F – F F / G F E E –

Gajachchidandhakachidam / tamamtakachchidam / bhaje ||9||

E A*A*G# G# F F E / E D D – / C#C#E –

Akharvagarvasarvamangala kalakadambamajnjari,

Rasapravaha madhuri vijrumbhana madhuvratam |

Smarantakam purantakam bhavantakam makhantakam,

Gajantakandhakantakam tamantakantakam bhaje ||10||….sameas sloke II9II

Om – — –

A- – – –

Jayatvadabhravibhrama bhramadbhujangamasafur,

EE EE EE EE / EE EE DF E –

Dhigdhigdhi nirgamatkarala bhaal havyavat |

A/ C#C#C#C#A# A# A# A# / A# A# A# A# A.G A# A

Dhimiddhimiddhimidhva / nanmrudangatungamangala,

D D D D C#E E – / D F – F F / G F – E E –

Dhvanikramapravartita prachanda tandavah shivah ||11||

D F – F F G F E E / D D C#C#A# C# – A# C#-

Drushadvichitratalpayor bhujanga mauktikasrajor,

AAAAAA# A# A# A# / A# A# A# A# A.G A# A

Garishtharatnaloshthayoh suhrudvipakshapakshayoh |

A/ C#C#C#C#A# A# A# A# / A# A# A# A# A.G A# A

Trushnaravindachakshushoh prajamahimahendrayoh,

AD – D D – C#/ E – E E / D F – F F / G F E E

Sama pravartayanmanah kada sadashivam bhajamyaham ||12||

E A*A*Ni Ni F F E E / D D C#C#A# C#- –

Kada nilimpanirjhari nikujnjakotare vasanh,

EE EE EE EE / EE EE E D E F –

Vimuktadurmatih sada shirah sthamajnjalim vahanh |

A/ C#C#C#C#A# A# A# A# / A# A# A# A# A.G A# A

Vimuktalolalochano lalamabhalalagnakah,

EE EE EE EE / EE EE E D E F –

Shiveti mantramuchcharan sada sukhi bhavamyaham ||13||

A/ C#C#C#C#A# A# A# A# / A# A# A# A# A.G A# A/ A# A- A# A-

Imam hi nityameva muktamuttamottamam stavam,

EE EE EE EE / EE EE E D E F –

Pathansmaran bruvannaro vishuddhimeti santatam |

A/ C#C#C#C#A# A# A# A# / A# A# A# A# A.G A# A

Hare gurau subhaktimashu yati nanyatha gatim,

EE EE EE EE / EE EE E D E F –

Vimohanam hi dehinam sushankarasya chintanam ||14||

E A*A*G# G# F F E E D D C#C#A# -…….(3)

E A*A*G# G# F F E E D D C#C#A# / C#A# A

Om / Namah Shivay –

A– – – / .G .G A# A- – – ……(2)

Om / Namah Shivay –

D – – – – / D E D C#- – –

Puja vasanasamaye dashavaktragitam,

Yah shambhupujanaparam pathati pradoshhe |

Tasya sthiram rathagajendraturangayuktam,

Lakshmim sadaiva sumukhim pradadati shambhuh ||15||

Aum Namah Shivay !!

Install Piano Pandit App Free !

Shiv Tandav Stotram Piano Notes Shanker Mahadevan